Come full circle with 180 new, exciting poems selected and introduced by Billy Collins.
Inspired by Billy Collins’s poem-a-day program for American high schools that he began through the Library of Congress, the original Poetry 180: A Turning Back to Poetry was a gathering of clear, contemporary poems aimed at a wide audience. In 180 More, Collins continues his ambitious mission of exposing readers of all ages to the best of today’s poetry. Here are another 180 hospitable, engaging, reader-friendly poems, offering surprise and delight in a wide range of literary voices–comic, melancholy, reflective, irreverent. If poetry is the original travel literature, this anthology contains 180 vehicles ready to carry you away to unexpected places.
With poems by Robert Bly Carol Ann Duffy Eamon Grennan Mark Halliday Jane Kenyon David Kirby Thomas Lux Donna Masini W. S. Merwin Paul Muldoon Carol Muske-Dukes Vijay Seshadri Naomi Shihab Nye Gerald Stern Ron Padgett Linda Pastan Victoria Redel Franz Wright Robert Wrigley and many more
First published in 1924, Veinte poemas de amor y una canción desesperada remains among Pablo Neruda’s most popular work. Daringly metaphorical and sensuous, this collection juxtaposes youthful passion with the desolation of grief. Drawn from the poet’s most intimate and personal associations, the poems combine eroticism and the natural world with the influence of expressionism and the genius of a master poet. This edition features the newly corrected original Spanish text, with masterly English translations by award-winning poet W. S. Merwin on facing pages.
For the poet, even the most minute details of the natural world are starting points for flights of the imagination, and the pages of this collection celebrating the four seasons are brimming with an extraordinary range of observation and imagery.
Here are poets past and present, from Chaucer, Shakespeare, and Wordsworth to Whitman, Dickinson, and Thoreau, from Keats, Blake, and Hopkins to Elizabeth Bishop, Ted Hughes, Amy Clampitt, Mary Oliver, and W. S. Merwin. Here are poems that speak of the seasons as measures of earthly time or as states of mind or as the physical expressions of the ineffable. From Robert Frost’s tribute to the evanescence of spring in “Nothing Gold Can Stay” to Langston Hughes’s moody “Summer Night” in Harlem, from the “stopped woods” in Marie Ponsot’s “End of October” to the chilling “mind of winter” in Wallace Stevens’s “The Snow Man,” the poems in this volume engage vividly with the seasons and, through them, with the ways in which we understand and engage the world outside ourselves.
In Nine Horses, Billy Collins, America’s Poet Laureate for 2001–2003, continues his delicate negotiation between the clear and the mysterious, the comic and the elegiac. The poems in this collection reach dazzling heights while being firmly grounded in the everyday. Traveling by train, lying on a beach, and listening to jazz on the radio are the seemingly ordinary activities whose hidden textures are revealed by Collins’s poetic eye. With clarity, precision, and enviable wit, Collins transforms those moments we too often take for granted into brilliant feats of creative imagination. Nine Horses is a poetry collection to savor and to share.
Tennyson was the chief poetic voice of his age, and he remains one of the most highly regarded masters of the music and mood of verse. This authoritative edition brings together a unique combination of Tennyson's poetry and prose, spanning his entire career, from his striking juvenilia, through his career as Poet Laureate, to the powerful poetry he wrote in his ninth decade. It contains such classics as "The Lady of Shalott," "Morte d'Arthur," Break, Break, Break," "Locksley Hall," "Ulysses," "The Charge of the Light Brigade," and "Tears, Idle Tears." It also includes in its entirety Tennyson's quasi-feminist epic The Princess, as well as the whole of In Memoriam, Maud, and Enoch Arden, and several sections of Idylls of the King. The poems are augmented with a broad selection from Tennyson's letters, as well as relevant passages from his son Hallam Tennyson's Memoir of his father, where Tennyson talks widely about his own poetry and the writing of others. Robert Adams provides an insightful introduction and valuable notes, and the edition includes an up-to-date bibliography.
"Carver's poetry is like an almost invisible strand of fishing line reeling us all together, connecting us by the heart." --San Francisco Examiner and Chronicle
This prodigiously rich collection suggests that Raymond Carver was not only America's finest writer of short fiction, but also one of its most large-hearted and affecting poets. Like Carver's stories, the more than 300 poems in All of Us are marked by a keen attention to the physical world; an uncanny ability to compress vast feeling into discreet moments; a voice of conversational intimacy, and an unstinting sympathy.
This complete edition brings together all the poems of Carver's five previous books, from Fires to the posthumously published No Heroics, Please. It also contains bibliographical and textual notes on individual poems; a chronology of Carver's life and work; and a moving introduction by Carver's widow, the poet Tess Gallagher.
Emotional and moving--inspiring words about the power of peace in the world.
"Into this climate of fear and apprehension, Christmas enters, Streaming lights of joy, ringing bells of hope And singing carols of forgiveness high up in the bright air. The world is encouraged to come away from rancor, Come the way of friendship..."
Thus Maya Angelou begins this unique and uplifting poem which speaks to the great healing balm that peace can bring to the world.
It ends with a ringing exertation reminiscent of the thrilling ending of her inaugural poem, On the Pulse of Morning.
This collection of poems has a subject matter ranging from the gustatory pleasures of osso buco to an analysis of the handwriting of Keats; from the art form of the calendar pinup to blues music.
The Everyman's Library Pocket Poets hardcover series is popular for its compact size and reasonable price which does not compromise content. Poems: Auden is just another reminder of his exhilarating lyric power and his understanding of love and longing in all their sacred and profane guises. One of English poetry's great 20th century masters, Poems: Auden is the short collection of an exemplary champion of human wisdom in its encounter with the mysteries of experience.
In this moving and playful collection, Billy Collins touches on an array of subjects—love, death, solitude, youth, and aging—delving deeper than ever before into the intricate folds of life.
Basho stands today as Japans most renowned writer, and one of the most revered. Wherever Japanese literature, poetry or Zen are studied, his oeuvre carries weight. Every new student of haiku quickly learns that Basho was the greatest of the Old Japanese Masters.
Yet despite his stature, Bashos complete haiku have not been collected into a single volume. Until now.
To render the writers full body of work into English, Jane Reichhold, an American haiku poet and translator, dedicated over ten years of work. In Basho: The Complete Haiku, she accomplishes the feat with distinction. Dividing his creative output into seven periods of development, Reichhold frames each period with a decisive biographical sketch of the poets travels, creative influences and personal triumphs and defeats. Scrupulously annotated notes accompany each poem; and a glossary and two indexes fill out the volume.
Reichhold notes that, Basho was a genius with words. He obsessively sought out the right word for each phrase of the succinct seventeen-syllable haiku, seeking the very essence of experience and expression. With equal dedication, Reichhold sought the ideal translations. As a result, Basho: TheComplete Haiku is likely to become the essential work on this brilliant poet and will stand as the most authoritative book on the subject for many years to come. Original sumi-e ink drawings by artist Shiro Tsujimura complement the haiku throughout the book.
There was once a little brown bat who couldn't sleep days-he kept waking up and looking at the world. Before long he began to see things differently from the other bats, who from dawn to sunset never opened their eyes. The Bat-Poet is the story of how he tried to make the other bats see the world his way.
Here in The Bat-Poet are the bat's own poems and the bat's own world: the owl who almost eats him; the mockingbird whose irritable genius almost overpowers him; the chipmunk who loves his poems, and the bats who can't make beads or tails of them; the cardinals, blue jays, chickadees, and sparrows who fly in and out of Randall Jarrell's funny, lovable, truthful fable.
Best Illustrated Children's Books 1964 (NYT) Year's Best Juveniles 1964 (NYT)
