Essays

The Art of the Commonplace gathers twenty-one essays by Wendell Berry that offer an agrarian alternative to our dominant urban culture. These essays promote a clearly defined and compelling vision important to all people dissatisfied with the stress, anxiety, disease, and destructiveness of contemporary American culture. Why is agriculture becoming culturally irrelevant, and at what cost? What are the forces of social disintegration and how might they be reversed? How might men and women live together in ways that benefit both? And, how does the corporate takeover of social institutions and economic practices contribute to the destruction of human and natural environments? Through his staunch support of local economies, his defense of farming communities, and his call for family integrity, Berry emerges as the champion of responsibilities and priorities that serve the health, vitality, and happiness of the whole community of creation.

This exciting collection introduces the first-ever annual anthology of writing by African Americans. Here are remarkable essays on a variety of subjects informed by—but not necessarily about—the experience of blackness, as seen through the eyes of some of our finest writers.

From art, entertainment, and science to technology, sexuality, and current events—including the battle for the Democratic nomination for the presidency—the essays in this inaugural anthology offer the compelling perspectives of a number of well-known, distinguished writers, among them Malcolm Gladwell, Jamaica Kincaid, James McBride, and Walter Mosley, and a number of other writers who are just beginning to be heard.

Selected from a diverse array of respected publications such as the New Yorker, the Virginia Quarterly Review, Slate, and National Geographic, the essays gathered here are about making history, living everyday life—and everything in between. In “Fired,” author and professor Emily Bernard wrestles with the pain of a friendship inexplicably ended. Kenneth McClane writes hauntingly of the last days of his parents’ lives in “Driving.” Journalist Brian Palmer shares “The Last Thoughts of an Iraq War Embed.” Jamaica Kincaid describes her oddly charged relationship with that quintessentially British, Wordsworthian flower in “Dances with Daffodils,” and writer Hawa Allan depicts the forces of race and rivalry as two catwalk icons face off in “When Tyra Met Naomi.” A venue in which African American writers can branch out from traditionally “black” subjects, Best African American Essays features a range of gifted voices exploring the many issues and experiences, joys and trials, that, as human beings, we all share.


Please click the "Behind the Book" link for contributor’s bios.


From the Hardcover edition.

The sexual politics of a faculty wives dinner. The psychological gamesmanship of an inappropriate therapist. The emotional minefield of an extended family wedding . . .
 
Whatever the subject, Emily Fox Gordon’s disarmingly personal essays are an art form unto themselves—reflecting and revealing, like mirrors in a maze, the seemingly endless ways a woman can lose herself in the modern world. With piercing humor and merciless precision, Gordon zigzags her way through “the unevolved paradise” of academia, with its dying breeds of bohemians, adulterers, and flirts, then stumbles through the perils and pleasures of psychotherapy, hoping to find a narrative for her life. Along the way, she encounters textbook feminists, partying philosophers, perfectionist moms, and an unlikely kinship with Kafka—in a brilliant collection of essays that challenge our sacred institutions, defy our expectations, and define our lives.

From the #1 bestselling author of Me Talk Pretty One Day and Dress Your Family in Corduroy and Denim comes a collection of the short stories David Sedaris loves most. Containing the work of both contemporary and classic writers, CHILDREN PLAYING BEFORE A STATUE OF HERCULES, edited and introduced by Sedaris, gives his legions of fans a glimpse at the writing he finds inspiring - and helps them discover the truth abut loneliness, hope, love, betrayal, and certain, but not all, monkeys.

David Sedaris fell in love with short stories while living in Odell, Oregon. Sedaris writes, "When apple-picking season ended, I got a job in a packing plant and gravitated toward short stories, which I could read during my break and reflect upon for the remainder of my shift. A good one would take me out of myself and stuff me back in, outsized, now, and uneasy with the fit." Featuring such notable writers as Alice Munro, Tobias Wolff, Lorrie Moore, and Joyce Carol Oates, readers will reconnect with classics, as well discover fantastic but lesser-known writers.

Included in CHILDREN PLAYING BEFORE A STATUE OF HERCULES are:

Introduction by David Sedaris

"Oh, Joseph, I'm So Tired" by Richard Yates

"Gryphon" by Charles Baxter

"Interpreter of Maladies" by Jhumpa Lahiri

"The Garden Party" by Katherine Mansfield

"Half A Grapefruit" by Alice Munro

"Applause, Applause" by Jean Thompson

"I Know What I'm Doing About All the Attention I've Been Getting" by Frank Gannon

"Where the Door Is Always Open and the Welcome Mat Is Out" by Patricia Highsmith

"The Best of Betty" by Jincy Willett

"Song of the Shirt, 1941" by Dorothy Parker

"The Girl with the Blackened Eye" by Joyce Carol Oates

"People Like That Are the Only People Here: Canonical Babbling in Peed Onk" by Lorrie Moore

"Revelation" by Flannery O'Connor

"In the Cemetery Where Al Jolson Is Buried" by Amy Hempel

"Cosmopolitan" by Akhil Sharma

"Irish Girl" by Tim Johnston

"Bullet in the Brain" by Tobias Wolff

Epilogue by Sarah Vowell

Borrowing the book's name from an Adriaen van der Werff painting, CHILDREN PLAYING BEFORE A STATUE OF HERCULES is David Sedaris's attempt to share his passion for short stories with a wider audience-and his enthusiasm is contagious. "The authors in this book are huge to me, and I am a comparative midget, scratching around in their collective shadow. 'Pint sized Fanatic Bowing Before Statues of Hercules' might have been more concise, but people don't paint things like that, and besides, it doesn't sound as good."

David Sedaris is publishing this book to support 826NYC, a nonprofit tutoring center in Brooklyn, New York. All of his proceeds, after permission expenses, from CHILDREN PLAYING BEFORE A STATUE OF HERCULES will benefit this organization designed to help students ages six to eighteen develop their writing skills through free writing workshops, publishing projects, and one-on-one help with homework and English-language learning. In the book's epilogue, Sarah Vowell describes the fine work done by 826NYC.